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Jul 01, 2016 Remember, playing around with genres is a great way to “unstick” yourself if you ever find yourself stuck with your stories. Here are the genre logline templates (with the three elements for each genre in italics): SAVE THE CAT!® 10 GENRE LOGLINES. Monster in the House: Monster, House, Sin. If you have, it’s because Blake Snyder’s Save the Cat books are arguably the most popular and helpful screenwriting tools to emerge in the last decade – and some of his fun phraseology has seeped into the consciousness of writers around the world.
I’ve been reading Blake Snyder’s Save the Cat, and one of the “genres” he prescribes is Superhero, in which we have an extraordinary central character navigating an ordinary world. He provides only a couple of examples of this genre that aren’t actual superheroes (Gladiator and A Beautiful Mind). If anyone has some other suggestions, I would greatly appreciate it. I’m hoping to watch a few non-traditional examples of this genre to compare with my outline and perhaps gain a better grasp on my pacing. Thanks!
![Save The Cat Genres Save The Cat Genres](http://www.filmdaily.tv/sites/default/files/styles/teaser_900x200/public/tutorial/Save%20the%20cat.jpeg?itok=--C-bJru)
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I’ve been reading Blake Snyder’s Save the Cat, and one of the “genres” he prescribes is Superhero, in which we have an extraordinary central character navigating an ordinary world. He provides only a couple of examples of this genre that aren’t actual superheroes (Gladiator and A Beautiful Mind). If anyone has some other suggestions, I would greatly appreciate it. I’m hoping to watch a few non-traditional examples of this genre to compare with my outline and perhaps gain a better grasp on my pacing. Thanks!
![Save the cat genres pdf Save the cat genres pdf](/uploads/1/2/5/7/125770391/440053282.jpg)
64% Upvoted